Art body needed to protect public art from being destroyed or lost, say artists and art lovers

(Clockwise from top left): Red Numbers (1999) and Anthony Poon's Joyluck (2000) at the Singapore Turf Club, Skyline Of Singapore (1964) by William P. Mundy at the walls of the former Paya Lebar Airport, and the now-demolished Texturefulness Of Life (2000) at Marine Parade Community Building. PHOTOS: ST NG SOR LUAN, DARREN SOH, ST DESMOND WEE
New: Gift this subscriber-only story to your friends and family

SINGAPORE – In the wake of urban redevelopment, artists are trying to rescue their public artworks from being trashed. This undignified fate has befallen many works over the years.

Cultural Medallion recipient Vincent Leow, 62, hopes to at least get a say in the fate of his large-scale commissioned works at the Singapore Turf Club before the land is returned to the Government in 2027, although he says his query to the National Arts Council (NAC) has come to nothing so far.

Already a subscriber? 

Read the full story and more at $9.90/month

Get exclusive reports and insights with more than 500 subscriber-only articles every month

Unlock these benefits

  • All subscriber-only content on ST app and straitstimes.com

  • Easy access any time via ST app on 1 mobile device

  • E-paper with 2-week archive so you won't miss out on content that matters to you

Join ST's Telegram channel and get the latest breaking news delivered to you.